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Gemma Copeland

Tag “learning”

 — Dissenting Ephemera

Some of my notes from the Dissenting Ephemera workshop at MayDay Rooms a few weeks ago:

leftove.rs is an online archive of radical political ephemera, built in collaboration between MayDay Rooms and 0x2620 Berlin.

They’ve spent the last year digitising the MayDay Rooms archive and scraping other archives and now have a substantial body of material to work with. They’ve been experimenting with different ways of structuring, distributing and expanding upon this archive. For this workshop, they invited a range of people working in similar areas to share their experiences and contribute to the development of the platform.

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 — From pages to performances

This is one of the posts I wrote for the Core Languages blog last semester, as part of a course at Central Saint Martens that introduced graphic design students to the digital design mindset.

What is unique about digital design as a medium? How can we approach design for screens in a way that is natively digital, rather than an appropriation of print design?

In this essay, Cory Arcangel suggests that the term “web performance” is more appropriate for describing the digital medium than “web page”:

The term that really drives me up the wall, though, is web page. Page connotes something stable, unchanging, and definite. A book page exists. A book page is. A web page, on the other hand, is a vastly more complicated structure. It is a set of instructions blasted from a server farm across the globe through fiber-optic cables, then interpreted by a computer’s hypertext transfer protocol browser and displayed by a light-emitting-diode screen. All this, by the way, is happening in real time—reconstituted at each millisecond through a unique and contingent tangle of systems—and is supported by the constant churn of the power grid, itself (incredibly) still commonly powered by burning coal. So instead of web page, I’d prefer the term web performance, which would remind us that this information is both immediate and ephemeral. In a sense, it is thousands of coal-powered virtual Rube Goldberg machines — lined up from end to end — that power our Facebook Paper apps on our iPhones.

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 — Teaching digital

Last semester I started teaching Digital as part of BA Graphic Communication Design at Central Saint Martins.

My class was part of the Core Languages course, which included other classes like Typography, Print and Production, and Photography. The idea behind this was to introduce second year students to foundational concepts and skills that could then feed into their wider graphic design practice and the longer term, research-based projects from their other classes.

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 — Community is a Garden

I came across this toolkit when searching for examples of community-led design practices for a workshop that Sonia and I are currently running (more on that soon).

It explores how artists and communities can work together towards climate justice. It has a few interviews and case studies, accompanied by a few prompts and reflective exercises centred around building collaborative relationships and spaces for dialogue.

I really liked the list of practices at the end, particularly Ambiguity:

Moments of disorientation create space for unpredictable discovery. How can you challenge existing narratives, leave questions unanswered, and introduce new lines of inquiry? Through open-ended practice, how can you create conditions that scaffold communal discovery? How can you begin with questions rather than answers?

It references a few of my favourite writers, adrienne maree brown and Donna Haraway, and has prompted me to finally read Braiding Sweetgrass, which I’ve wanted to do for a while.

I’m collecting more examples of Community-Led Design Practices on Arena.

 — Exploring maps

A collage made from LiDAR imagery of the Amazon rainforest, a map of the video game Subnautica and a Micronesian navigational chart

Maps seem to be the most consistent thing that people ask us to do at Common Knowledge. We don’t know entirely what it is, but people love maps. Not only do organisations love them, they seem to test really well when we do usability testing as well.

We have a couple of particularly interesting mapping projects on at the moment, so while I’ve been ambiently researching interesting maps on Arena for a while, I’ve recently started doing more reading about cartography as well.



Shannon Mattern’s wonderful article How to Map Nothing seeks out the gaps in the map: cartographies of erasure, absence, refusal and exclusion. For something about nothing, it is overflowing with references, projects and ideas. Lots to explore!

We have plenty of maps and data visualizations that trace the macro-scale public health and political-economic forces that precipitated the “Great Pause”; but we have relatively few that show all those under-appreciated agents that are making it possible — all the something anchoring and abetting that nothing, all the pulsing activity powering the pause. So it’s worth exploring the ways in which maps and other forms of indexical spatial data are registering the ambiguities, contradictions, and inequalities inherent in this geography of suspension — an ostensible pause that instead merely extends, and in many ways exacerbates, the injustices of our society and the inadequacies of our ways of conceptualizing and modeling city life.

Mapping’s Intelligent Agents is another great essay, this time focusing on Other approaches to cartography:

Ideally, we should balance or juxtapose different modes of knowledge and production: Western scientific and indigenous epistemologies, human and other-species ontologies, mechanical and organic means of experiencing and representing place, cartographic rationalism and empiricism, projection and retrospection. No single über-map can encompass all such subjectivities and sensibilities. Instead, we can aim for an atlas, a prismatic collection of mappings, that invites comparison and appreciation of the ways in which our world is both known and unknown.

Mattern is currently teaching a class called Mapping the Field, which I wish I could take. Luckily, she’s put the entire syllabus, presentations and reading list online.

In Here Be Dragons, Lois Parshley explores the unknown places that we’re still trying to map: the Arctic, black holes, the ocean floor. She also considers how mapping intersects with health, deprivation and natural disasters. She references Missing Maps, an open, collaborative project where anyone can volunteer to help map areas that are at risk of disaster or crisis.

I also found this offline-first, open-source tool called Mapeo. It allows communities to document, monitor and map data, and was co-designed with indigenous partners in the Amazon.

For a completely different viewpoint, I really enjoyed reading about literary maps and the design of open world video games.

Next, I think I’m going to read Data Feminism by Catherine D’Ignazio and Lauren Klein, which I’ve been meaning to read for a while.

I’ve recently started using Storygraph (thanks Sonia) to track the books I’m reading. It’s a not-Amazon alternative to Goodreads.

When you sign up, you’re asked you a series of questions about the kinds of books you like. It also analyses the mood, pace and genre of the books you read, and then recommends more books based on this. I never actually used Goodreads (I had some low-fi Arena channels for tracking books instead), so I’m really enjoying these kind of features. Apparently I mainly read “slow-paced fiction books that are reflective, informative, and adventurous”.

It seems quite hard to find people you know on the platform, so follow me if you have it (@gemcopeland)!

 — Unravel from toxic individualism

A few months ago I spoke at a panel discussion for CSM students. It was a partnership with Thames & Hudson and Design Observer to accompany their new edition of Ralph Waldo Emerson’s 1841 essay, Self-reliance. The event aimed to explore what it means to graduate during a crisis after 1+ years of disrupted education.

While I totally agreed with this premise and wanted to contribute, the essay itself and the choice to republish it really grated on me. Of course, it was written in the 19th century, so I can’t really blame Emerson for being a few centuries behind the intersectional feminist, post-colonial and post-humanist thinking. Still, it feels strange to me that the publishers are pointing to the power of individualism as a way to deal with social, political, economical and environmental upheaval. This idea that we’re all individuals and that there’s no such thing as society has been one of neoliberalism’s greatest triumphs.

I wrote a somewhat ranty post about the essay to sort through why I had such a problem with it. I didn’t publish it at the time, but I find myself still thinking about this question of individualism a few months later, so figured I may as well.

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I’m going through all my Pocket articles that I’ve favourited by not archived, which means that Past Gem thought they were important enough to revisit. Let’s see what I find…

Statements Towards the Establishment of a Proof-of-Rest Protocol

A response to the senseless wastefulness of proof-of-work cryptocurrencies, which use up energy to generate artificial scarcity and profit.

Rather than burning ourselves out in bullshit jobs, why don’t we rest and do nothing? If anything, we need to be saving our capacity for transitioning to a post-capitalist society.

A sustainable way of life will necessarily require us to be more in balance with the natural rhythms of our bodies and the world around us, leaving time for rest, repair and regeneration.

An animated gif of a tiny white cat. It runs across the screen and then curls up and falls asleep.

Who Taught Me

I found Aimi Hamraie’s work via Futuress and really liked their take on an “About” page. It’s an incomplete list of all the people, stories, lessons and situations that have shaped them and their world view. It made me wonder what I’d put on my own list.

Indigenous World Views

Super interesting critique of permaculture and regenerative agriculture from an indigenous perspective.

Indigenous cultures often share the view that there is no good, bad, or ideal—it is not our role to judge. Our role is to tend, care, and weave to maintain relationships of balance.

The Strategic Independent

I’ve been gradually working my way through all of Tom Critchlow’s essays. To the point where it has become a joke within the co-op.

He’s writing a book (also available online) about how independent consultants can work in more strategic and effective ways. Basically: working smarter, not harder – being curious and spending more time understanding the broader context of one’s work.

Developing our new Systemic Design Framework

An evolution of the divergent and convergent thinking Double Diamond. It recognises the non-linearity of complex problems and the invisible activities that support and interact with the design process. Really interesting explanation by Cat Drew of how the framework emerged and the thinking behind it.

A diagram of the systemic design framework. It's a circle divided diagonally into quarters, to represent the invisible activities that underpin design: Orientation & Vision Setting, Connections & Relationships, Leadership and Storytelling, Continuing the Journey. In the centre of the circle is a double diamond, illustrating the four stages of the design process: Explore, Reframe, Create, Catalyse.

Community Tech in Action

Rachel Coldicutt and the team at Promising Trouble / Careful Industries have been producing some really interesting work. In this series, they explain the research they’ve done into the motivations behind and potential for community tech projects. Tools that are custom-built, rather than just stringing together off-the-shelf consumer tech that aren’t fit for purpose. Basically Common Knowledge’s reason for existence!

What does Community Even Mean?

Short essay on how we need to update our conception of community. They suggest this a new definition, in which care, belonging and shared identity is key:

Community = a group of people that care about each other and feel they belong together.

They argue that only sharing a common goal does not a community make:

I believe that every community needs to have an internal purpose first to truly function as a community. Without trust and relationships, it becomes a project, an initiative, a movement.

I liked the look of the open source Community Canvas linked at the end.

The Intelligent Forest

An excerpt from Suzanne Simard’s book Finding The Mother Tree. Forests are complex, emergent, ever-changing, self-organising systems – somewhat like a society, an orchestra, a family or a brain.

Recognizing that forest ecosystems, like societies, have these elements of intelligence helps us leave behind old notions that they are inert, simple, linear and predictable — notions that have helped fuel the justification for rapid exploitation that has risked the future existence of creatures in the forest systems, like us.

Mind in the Forest

More forests! A lyrical essay on meditation, animism, impermanence and meaning.

Only cosmic arrogance tempts us to claim that all this reaching for sunlight, nutrients, and water means nothing except what we say it means. But if it bears a grander significance, what might that be, and what gives rise to such meaning? What power draws the elements together and binds them into a spider or a person, a fern or a forest? If we answer, “Life,” we give only a name, not an explanation.

A LIDAR scan of a forest.

Conversation is Not a Master’s Tool

An interview between Scalability Project and adrienne maree brown. I was drawn to the question about citations, relations and conversation:

SCALABILITY PROJECT: Reading through your texts, we were inspired by how generously you use citations. What you describe above reminds me of your adoption of the Mervyn Marcano quote “Move at the speed of trust.” You also quote Farhad Ebrahimi: “An ecosystem is not just a list of living things … It’s the set of relationships between those living things.” Could you expand more on this nonlinear process of relations, especially in connection to conversation?
BROWN: I love this question because that quote and the practice of citation are the same. I am not a solitary thinker, solitary learner, or solitary channel of these universal wisdoms and universal truths. I’m constantly learning from other people. And I weave. We all weave in different ways. What is the tapestry of lessons and wisdom that is unique for me? Each person ends up with a different tapestry, but you start to see patterns amongst them. And the pattern for me is something infinite.

 — Warp, weft

I did a weaving workshop last week and really loved it. I’ve been on the lookout for a new tactile hobby for a while. Tried pottery a few times but just didn’t enjoy it that much – just couldn’t get the hang of the wheel and never enjoyed the process very much. I think weaving could be the one. I’m recording some of what I learned here so I don’t forget them, but this is by no means a how-to guide. I have no idea what I’m doing!


The warp is the strong vertical threads that provide a structure for the weaving. The weft is the threads that you weave through the warp horizontally. We were using lap looms in this workshop, which seem to be the easiest type of loom to learn.

A black and white diagram illustrating warp and weft threads.

Begin by warping the loom: wind strong, plain cotton thread around the notches at the top and bottom. We added a folded piece of cardboard across the bottom of the warp, to keep from going too close to the edge of the loom.

If you want a fringe at the bottom, start by adding that. Cut some even lengths of thread and lie them on top of two warp threads, then loop them under so they’re hanging off the bottom of the warp. Repeat along the whole row.

In the workshop, we just did a tabby weave, which is the most simple weaving technique. Pull the weft thread over the first warp thread, under the second, over the third, and so on. Once you’ve reached the other side, go back in the opposite direction.

I hadn’t realised how grid-based weaving is – the warp provides a regular but invisible grid of columns. Build up shapes vertically with the weft, beginning at the bottom and working upwards. Add variation by changing how far along the columns you weave the thread.

Change threads to switch up the colours and textures. You can even alternate and blend colours within the same row. I love how this looks! You can use a photo for reference, or else just create an abstract composition. I find the abstract compositions much more appealing and really want to try to make something as freeform as this.

Make sure to tuck the ends of the threads back into the weaving. Otherwise, they’ll hang out the sides of the finished piece. Don’t pull the thread too tight at the edges or else it will start to become an hourglass shape.

Once you’ve finished your composition, cut your warp from the loom and double-knot the thread at the top and bottom. Attach a dowel to the top so you can hang it.


Afterward I immediately went and found a bunch of amazing textile artists, of course. I really like weaving as a concept and a metaphor as well. It feels like a feminist practice in more ways than one! 🕷


I learn more with each weaving I make.

A close up of a handwoven composition. It's quite freeform and the angle shows all the different textures.

This one is particular favourite of mine, made last month for H’s mum. It’s inspired by the colours and textures of the Welsh landscape: green hills, purple and red heather, mountains, lichen. I bought some roving from a local shop in Dolgellau – it’s incredibly soft, hand-dyed in purple, green and yellow. I also found some wool on our hike and added that in as clouds.

The same weaving, front on. It's made of green, purple, yellow, grey-brown and white wool.

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 — The Forest Multiple

The Smart Forests Atlas is a living archive and virtual field site exploring how digital technologies are transforming forests. It provides tools for researchers and other stakeholders to explore, analyse and reflect upon smart forest knowledges and technologies. The Atlas is designed to allow for multiple entrypoints into the research content. Visitors are encouraged to wander through the site according to their own interests, guided by the four wayfinding devices (Map, Radio, Stories and Logbooks).

Alex and I had the pleasure of going to Cambridge to launch the Smart Forests Atlas at The Forest Multiple in October. We’ve been working on the Smart Forests Atlas for a good part of last year, so it was great to publicly launch it.

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 — Centre for Alternative Technology

Wales is absolutely beautiful at the moment (and always). The autumn leaves and soft sunlight turn the whole landscape golden and warm.

A photo of the Centre for Alternative Technology taken from the hill above. There are a number of usual building structures poking out from amongst the trees, as well as a windmill and a large wind turbine blade on its side. In the background there are hills covered in forest.

We visited the Centre for Alternative Technology last weekend. It’s an amazing place, built on top of a mountain of waste slate from a nearby disused quarry. The Centre was started by a group of people who moved there in the mid-70s. Their goal was to provide a space where people could test things out and learn how to live more lightly on the earth.

The conservatory of the "Whole House" building. It was constructed in the mid-70s to demonstrate insulation techniques like super thick walls and small windows, which are a bit outdated now.

It has examples of different renewable energy technologies, a collection of buildings demonstrating innovative architectural/construction techniques and a few different gardens. It’s all completely off grid, including running its own water and sewage systems.

It was so inspiring to spend time somewhere like this. You can feel how many different people will have contributed towards building the centre and its vision over the years. It really gave us the sense that most of the ideas we need to transition to a zero carbon economy are already there, tried and tested…

A geodesic dome greenhouse next to a tree-lined pathway. In the background is another windmill.

 — Less like an object and more like the weather

It’s so nice to be in north Wales as the seasons change. The beech trees still have the most amazing orange-yellow-red leaves, but now there’s snow at the top of Cadair Idris. It’s wild to think that just three months ago we camped on top of it. There’s a legend that says anyone who sleeps on Cadair Idris’ summit will wake up as either a madman or poet. Three months on and I’m still no better at poetry so…

A sketch of Cadair Idris from 1819. There are two small houses in the foreground with the mountains rising behind.

I’ve been trying to get better at identifying fungi, trees and birds while we’re here. I saw a bright yellow bird the other day which I think is a siskin. There are so many robins around too — I love listening to them sing. I found a database full of recordings of British birds.

I’m also thinking about water a lot, it’s so incredibly wet here. On the weekends when we go hiking the ground is completely saturated and boggy. The Afon (River) Wnion was the highest I’ve ever seen it a few weeks ago.

Really enjoyed this article What does water want? Most humans seem to have forgotten:

Slow Water mimics or collaborates with natural systems, restoring space for water to slow on land in wetlands, floodplains, mountain meadows, forests, tidal marshes, and mangroves. Slow Water is distributed, not centralised: think of the wet zones scattered throughout a wild watershed instead of a big dam and reservoir. It is also socially just: Slow Water doesn’t take water from some people to give to others, or protect some communities while pushing floods on to another. Slow Water gives communities agency to restore resilience to their local landscapes and revive local cultures. And in taking a systems-oriented approach, it simultaneously supports local water availability, flood control, natural carbon storage, and other-than-human life.

An intricate map of the Mississipi River, with layers and layers of the river superimposed in different pastel colours.
A meander map of the Mississipi river by Harold Fisk, 1944

Just west of here the river feeds into the Afon Mawwdach and enters a huge estuary that feeds into the ocean. Fairbourne, a town at the end of the estuary, is the first place in the UK that the government has announced it won’t defend from sea level rise so it’s due to be abandoned by 2054…

c,o,n,t,i,n,u,o,u,s and c-o-n-n-e-c-t-e-d

In Are you the same person you used to be?, they suggest that some people divide their lives up into discrete chapters, constantly reinventing themselves, and others see their lives or identities as one continuous narrative.

I can’t decide which category I belong to. I mostly divide my memories depending on which city I lived in at the time, but I can also see the broader patterns that continue through all my experiences and interests. I guess it’s both.

The article describes research conducted in Dunedin where they studied over a thousand children from the age of three, meeting with them every two years until they were forty-five. They categorised the kids according to their temperaments and watched how they developed over time. How much of our identity is innate and how much is the product of our environment?

Human beings, they suggest, are like storm systems. Each individual storm has its own particular set of traits and dynamics; meanwhile, its future depends on numerous elements of atmosphere and landscape.

A greyscale satellite image showing swirling clouds. On the top and bottom is grey static.
▲ An image from open-weather, capturing transmissions from a National Oceanic and Atmospheric Administration (NOAA) satellite

They suggest that although there are some patterns and cycles that are evident from an early age, one way that people can break out of their patterns is through close relationships with others. It reminded me of a bit in The Mushroom at the End of the World, where Anna Tsing talks about indeterminacy:

Fungi are famous for changing shape in relation to their encounters and environments. Many are “potentially immortal”, meaning they die from disease, injury or lack of resources, but not from old age. Even this little fact can alert us to how much our thoughts about knowledge and existence just assume determinate life form and old age. We rarely imagine life without such limits – and when we do we stray into magic. Rayner challenges us to think with mushrooms, otherwise. Some aspects of our lives are more comparable to fungal indeterminacy, he points out. Our daily habits are repetitive, but they are also open-ended, responding to opportunity and encounter. What if our indeterminate life form is not the shape of our bodies but rather the shape of our motions over time? Such indeterminacy expands our concept of human life, showing us how we are transformed by encounter.

A microscopic close-up of a mycelial network.

Building alternatives

Really good article on Noema by one of the co-founders of my instance Social.coop: Mastodon Isn’t Just A Replacement For Twitter. I was reflecting on the Twitter exodus to Mastodon the other day… It feels to me like a really great example of how important it is to be building these alternatives in parallel to the mainstream.

Acts of smashing, while vital for disruption, do not create the kind of resilient, large-scale, long-term bodies needed to replace dominant powers. As we have seen, the direction our world takes in moments of chaos will be defined by the ideas and institutions that are already available. If we want a world of workplaces owned and run cooperatively, of political decision-making power in local community hands, we stand a much better chance if this is already being built in time for social shocks.
— Graham Jones, The Shock Doctrine of the Left

It is so important to be optimistically building, testing, iterating on these institutions alongside the present day, rather than waiting for some perfect utopia to arrive in which we can start building.

It’s just so easy

Speaking of which, I find it so hilarious that in Victoria 3, a political simulation game, it turns out that communism is the most economically efficient government system:

Capitalist playstyles, they suggest, are too inefficient. The bosses at the top of Victoria 3 capitalist societies get high pay, while workers get very low pay. But in a Victoria 3 communist economy, worker cooperatives ensure that all capitalist wealth is turned over to the workers. As a result, their high purchasing power allows them to spend more money in the economy, which increases economic demand. This leads to higher living standards, which attracts more immigration, another big boost. “It’s just so easy,” the player concludes.

Bits and pieces

  • So inspired by Jeff VanderMeer’s experience of rewilding his property in Florida.
  • Lots of really useful tips on writing image descriptions here. I also didn’t realise that hashtags should be written in camel case so that screen readers can read each word separately!
  • Found a new Substack series on Octavia Butler’s Earthseed.
  • It is really relaxing to watch this livestream of waterhole in Namibia. So many critters! (via Matt Webb)
  • Great interview with Mindy Seu about her Cyberfeminism Index. I love the idea of YACK / HACK: “YACK is discourse whereas HACK is practice.”
  • I’ve been using a hot water bottle to keep warm here because my desk is in the attic below a skylight — extremely cold. Kind of hilarious to see photos of early hot water bottles in this piece from Low Tech Magazine… they look so uncomfortable.
  • Love to see some pleasure activism in action: Repair Together are hosting repair raves to help clean up areas of Ukraine.

 — Reflections on 2022

This year has been a bit of a weird one because How and I still don’t have a permanent home. We spent the first three months with friends and family in Australia, three months living with friends in Camberwell, six weeks subletting a friends’ place in Hackney, six weeks of visiting friends and holidaying in Europe (Portugal, France, The Netherlands, Germany and Greece), some time at H’s parents place and a few months living in Wales.

A mural of a maroon, blue and gold butterfly that says "Camberwell Beauty".
▴ Camberwell Beauty

A volunteer day at a community garden. People are tending to the garden beds.
▴ Glengall Wharf Gardens in Camberwell

A moored canal boat. The sun is shining and it's mid-summer.
▴ Visiting Leila & Stu and their boat Dirty Penny in Oxford

Parisian apartment blocks at twilight. The lights are on and they look warm and cozy against the evening sky.
▴ The view from Luke & Reba’s place in Paris

This year we did a few more multiday hikes and I hope next year we’ll do many more. I find hiking to be so meditative. I love walking through different landscapes, being completely connected to my body, seeing the stars, waking up again in the middle of it.

Me standing in a field of heather with a hiking pack on. The sky is blue with some scattered clouds.
▴ Hiking near Coed y Brenin

Early evening by a beautiful lake. How is sitting in front of our tent. It looks peaceful and quiet.
▴ Camping next to Llyn Du

How swimming in a bright blue lake beneath a mountain.
▴ Swimming in Llyn y Gader

We also did a lot of camping with friends as it seemed to be everyone’s birthday celebration of choice this year. So much fun. I never did it much as a kid so it’s a bit unfamiliar to me but I’ve found I really love it.

A group of tents at the bottom of a lush green valley at sunset.

A group of people laughing by a campfire. It's a bit blurry.

I’ve really enjoying doing more weaving this year — I’ve made a few of them as gifts for friends and family.

Another big change was beginning therapy. I’ve been finding it transformative to have regular sessions. It’s helped me to reflect on big patterns in my life, pay attention to my body and learn frameworks for dealing with future situations, having difficult conversations and giving clean feedback.

Sunset on the estuary. The foreground is quite dark but you can vaguely see a car driving ahead of us.
▴ Driving along the coast in north Wales

Books

I read 40 books this year! The ones I enjoyed most were:

  • Ways of Being by James Bridle, which explores more-than-human intelligence through the lens of both technology and ecology.
  • Death by Landscape, Elvia Wilk’s collection of fan nonfiction essays on feminist sci-fi, solarpunk, larping, compost and ambiguous utopias.
  • The Actual Star by Monica Byrne, an epic sci-fi that jumps from an ancient Mayan civilisation to the present day to a far future post-apocalyptic utopia.
  • The Living Autobiography series by Deborah Levy.

I’ve also loved reading books together with Paprika, Benjamin, How and others in Rererererereading Group.

Work

To be honest, this was a tough year for Common Knowledge at times. Although we’ve had plenty of interesting and important work on, our finances at points over the year have been rocky. This has been due to a whole range of factors, some of which were out of our control and some which were just lessons we needed to learn the hard way.

Nevertheless, we’re ending it in a much healthier place than where we started and we’ve learned loads. I feel really optimistic about 2023 for us. We’ve made a lot of changes in how we run that I feel will protect us from future risk. In the meantime, if you think our work is important and want to support it, we have an Open Collective for donations.

Despite this turbulence, I think we’ve done some great work. The type of work we’re doing is evolving slightly. We did some much bigger projects (digital transformation projects rather than campaign websites) and more consultancy/coaching work (rather than delivery). I think both of these are a move in the right direction. The downside is that there’s a lot less to show for it at the end of the year, but I think that’s fine.

The good thing about these bigger projects is that we got to do more extensive research and discovery phases, which I deeply enjoyed. (Shout out to Dovetail for being the best research tool out there.) I feel like I learned a lot about interviewing people and I got over some of my insecurities around this. In particular, Will Myddelton’s framework for running discoveries provided us with a lot of useful guidance.

The biggest project we did was a complete redesign and replatform for Humanitarian OpenStreetMap Team, an international organisation focused on humanitarian action and community-led development through participatory mapping and open data. This was a huge undertaking but we all learned a lot and I’m proud of the result. HOT are still working on the content at the moment but hopefully the new site should be launching early next year.

I really enjoyed working with The Architecture Lobby. I interviewed a bunch of their organisers in the US, which was an interesting look at a different political landscape. We made recommendations for gradually streamlining their entire digital infrastructure alongside redesigning their website, which should also launch next year.

I coached participants of the UnFound Accelerator again this year, which is a program that helps founders turn their ideas into platform co-ops. I also got to (remotely) have a really interesting discussion with John Caserta and the Design & Politics students at Rhode Island School of Design. It was really nice to go back to doing some IRL talks/conversations this year too: at the Weizenbaum Conference in Berlin, with Good Times Bad Times in Rotterdam and at The Forest Multiple symposium in Cambridge.

We also had some internal changes within the team: we hired Anna T to help us manage our projects and the co-op in general, and Jamie joined us for a year-long placement from Kingston College of Art. We also did a lot more work with our associate members Everin and John. It’s so nice to have more people join the co-op and I really hope this continues next year. As ever, I feel so grateful that I get to do what I love with people who love it too.

Looking forward

Although it’s been wonderful to freely move around this year and see people that we haven’t seen in years, How and I are at the point where we really need to put down some roots and stay still for a while.

It’s taken quite a while to decide where we should live. I kept getting into endless cycles of rumination and indecision: weighing up options, worrying if they’re the right one.

One of the things that I’ve learned this year is that at a certain point, any decision is the right one. We just have to try it out and see. If we don’t like it, we can change our minds. It’s funny because this is one of the principles of sociocracy that is so foundational to our work at Common Knowledge: “is it good enough for now and safe enough to try?”

You can only ever choose to take the next most elegant step. The best decisions I’ve ever made have been full of uncertainty at the time: choosing to quit my job in Brisbane and spend six months in Europe (which has now become 10+ years); moving to London which led to getting involved with Evening Class and then Common Knowledge.

Anyway, what we’ve decided is to move to Lisbon early next year. If all goes well and it feels like a good fit, we’ll hopefully look for somewhere just outside one of the cities and start on our housing co-op dream. We’re inspired by people who are doing this already like re:gen, Casa Beatrix and Project Kamp in Portugal, as well as collectives like Robida and Brave New Alps in Italy. Who knows where this step will lead, but I’m very much looking forward to 2023.

A view of Alfama, with colourful houses dotted on the hillside and the river in the distance. It's sunset and the light is beautifully soft.
▲ Lisbon in late summer

Previous years

I went to the Futuress talk by Cooperativa de Disenio last week. They’re a feminist worker co-op from Argentina. They’ve been running for 11 years and have 12 members, all women. They do a mix of product, identity and audiovisual design work for communities, cooperatives and recovered factories.

It was very interesting to hear about how a different co-op is run. The way they spoke about their co-op felt so familiar: it’s not perfect, but “it fits us like a glove” — they can shape it however they like and put their values into practice.

The talk was entirely focused on how they work as a co-op, rather than their design work. They spent a fair bit of time explaining what being part of a co-op means, what the seven cooperative principles are, how they govern themselves.

This made me reflect on the talks I usually give — I realised that I try to cram way too much into the 30-45 minutes I have. I usually cover a bit about my own practice and how I got into this type of work, touching on Evening Class and Designers + Cultural Workers, and then onto Common Knowledge: who we are, what a co-op is, why we’re a co-op, the kind of work we do, our attitude towards technology and politics and a bunch of examples of our work. No wonder I’m always exhausted afterwards!

I think I need to split my talk out into a few separate ones, something like:

  • Exploring different collaborative forms: learning groups, unions, cooperatives
  • An introduction to worker cooperatives: what they are; how to set one up; how to make decisions
  • How digital technology can amplify grassroots politics
  • Community-led design practices

Community-led design practices is the one I’m most interested in but least certain about. Sonia and I developed a workshop centred around this for a LCC masters course back in 2021. It ended up feeling quite speculative because we weren’t actually working with communities directly, just thinking about how we might design the design process. It was a little too meta.

I’m really curious as to how you can involve diverse groups of people in the design process while still eventually producing something that does what they need and that most people involved are happy with. I think the main issue is that this takes time, so much more than we ever have in our projects.

I asked the people from Cooperativa de Disenio how they approach this, as they do quite a lot of work with other non-hierarchical groups and communities. They agreed that it can be difficult and slow. You have to meet people where they are, slow down to their pace, listen to their point of view and decentre yourself.

I agreed with all of this, but I still feel that there are missing pieces. Maybe that’s just because there is no one methodology that will suit every project — you have to develop new methods to suit each new situation.

There seems to be so much interest in worker co-ops for designers at the moment. In both this Futuress talk and my talk at FBAUL the other week, there were lots of questions from the audience on the practical details of starting and running a co-op like:

  • How can new graduates start or get involved with a co-op?
  • How do you make sure hierarchies don’t seep in?
  • How do you deal with problems?
  • What legal form should it take in Italy/in Portugal?
  • Is there anyone who gives accountancy advice to co-ops?

I would love to run a question and answer session exploring questions like this for people interested in starting worker co-ops.

I think the best way to do this would be to get a few design cooperatives from around the world involved, like Cooperativa de Disenio, Partner & Partners in the US and Commonin Australia. There are so many legal considerations that are specific to each country, so having co-ops from a range of countries there would help answer some of the specifics.

I think it would also be good to have multiple co-ops so we could compare different approaches. From 2020–21 I regularly met with six people from other co-ops working from Space4 (a coworking space and co-op incubator in north London). We discussed any challenges we were facing or ways that we wanted to improve our co-ops, gave each other advice and held each other accountable. I think we all got so much out of learning from each other and sharing our different approaches.

 — Community Economies in Action

I’ve just come back from an inspiring week at the Community Economies in Action practice retreat in Terragnolo, Italy. It was designed and facilitated by Bianca Elzembaumer, Kate Rich and Flora Mammana as a practical counterpart to the Community Economies Institute’s summer/winter school.

People sitting at the table at Il Masetto, reading. There is an incredible view across the valley to the next mountain, covered in forests

A campervan with a flag hanging off it that says "Community Economies in Action: A Practice Retreat in Europe."

There were 24 participants with a diverse range of practices: academics and researchers, artists and designers, gardeners and organisers. Everyone was somehow involved in community economies, whether through a food / worker / housing cooperative, ecovillage, market garden, urban landscape, band, radio program, library of things or design lab. Over the week, we learned about all these diverse forms of commoning, exchanged ideas and identified new methods for collaborative survival. We were encouraged to be honest with each other about our struggles as well as celebrating our successes.

Underpinning the retreat were the ideas of J.K. Gibson-Graham, two feminist geographers from Sydney who collectively wrote books like The End of Capitalism (As We Knew It) and Take Back The Economy. Their work is all about rethinking the economy by foregrounding diverse economic practices and giving them credibility. These diverse economies include unpaid labour, cooperatives, Community Supported Agriculture, alternative currencies, voluntary organisations, underground economies, gift giving, foraging and barter.

Diverse economies iceberg diagram.
▲ Iceberg model diagram by Bianca Elzembaumer, Brave New Alps

The programme itself was quite emergent, with open spaces where we could propose our own ideas and free time for rest and reflection. Although there were some readings and a lot of deep thinking, there was also a strong focus on connecting with the land and with our bodies. We learned about the long history of commoning in the valley from our host Gianni of Il Masetto. One afternoon we went for a hike on a nearby mountain and foraged edible plants. We did a contact improvisation dance, swam in the river many times and cooked food together.

Hiking through meadows.

Being still.

Making foraged pesto.

Stirring a big pot of polenta by the riverbank.

▲ Photos by Flora Mammana

Economy as Ecological Livelihood

We read two of their essays and reflected on the conversations they opened with our practices. The first, Economy as Ecological Livelihood by J.K. Gibson-Graham and Ethan Miller, suggested that we need to see the economy as something deeply entangled with everything else (social and ecological) rather than some separate sphere of human activity.

If we cease to think of ourselves as singular, self-contained beings and begin to think alongside, for example, the multiple communities of bacteria and bacterial symbionts from which we continually take shape and of which we are but fleeting, temporary manifestations (Hird 2009; Hird 2010); or if we place our activities in the context of the billions-of-years-old, emergent, planetary-scale process of bio- logical self-construction known as “Gaia” (Lovelock 2000; Harding 2006; Volk 2003), it is no longer possible to identify a singular “humanity” as a distinctive ontological category set apart from all else.

What difference might it make if we accept that from the scale of Gaia, to the scale of the microscopic bacteria that form the laboring basis for nearly all biological energy production and transformation, there is a “we” bound together in myriad interrelationships that are themselves the very conditions of existence for our sense of a human “we”? Being-in-common—that is, community—can no longer be thought of or felt as a community of humans alone; it must become multispecies community that includes all of those with whom our livelihoods are interdependent and interrelated.

They suggest four ethical coordinates to navigate the question “How do we live together with human and non-human others?”:

PARTICIPATION: Who is the “we” that participates in the constitution of livelihoods and community economies? This involves cultivating forms of knowing and becoming that open us to the complexities of our interdependencies, to their animate interactions with us, and to the forms of responsibility this calls forth.

NECESSITY OR SUFFICIENCY: What do “we” need for survival? What constitutes “enough”? This includes asking about what is necessary for the dignified survival of all living beings and communities with whom we are inter-dependent, and about how we might consume in ways such that one species’ or community’s consumption does not compromise the survival chances of others.

SURPLUS: How do “we” produce, appropriate, distribute and mobilize surplus? Our new accounting must include surplus that is generated not just by human labor, but by the work of plants, animals, bacteria, fungi and dynamic energetic systems.

COMMONS: How do “we” make and share a commons, the material commonwealth of our community economies, with this new, more-than-human “we” in mind? Can we, for example, begin to see the chickens, bees and fruit trees of a cooperative farm not as part of that farm’s commons (as shared resources), but rather as living beings partici- pating in the co-constitution of the community that, together, makes and shares the farm?

Diverse Economies: Performative Practices for ‘Other Worlds’

The second text, Diverse Economies: Performative Practices for Other Worlds, highlights all the diverse economic practices that already happening in the here and now.

Gibson-Graham take a post-structuralist approach to the idea of capitalism. Rather than just adding new or forgotten categories to the existing definition, they instead want to completely restructure how we understand the economy. Economic activities are usually defined in terms of their relationship to capitalism, the master signifier — everything exists in relation to it, whether that’s as a complement or supplement, against or within.

In The end of capitalism we addressed familiar representations of capitalism as an obdurate structure or system, coextensive with the social space. We argued that the performative effect of these representations was to dampen and discourage non-capitalist initiatives, since power was assumed to be concentrated in capitalism and to be largely absent from other forms of economy. In the vicinity of such representations, those who might be interested in non-capitalist economic projects pulled back from ambitions of widespread success – their dreams seemed unrealizable, at least in our lifetimes. Thus capitalism was strengthened, its dominance performed, as an effect of its representations.

They argue that we need to move instead to seeing capitalist practices as one element within a landscape of diverse economies. By moving beyond this capitalocentric viewpoint, we open up space for imagination and new possibilities. We can begin to imagine new worlds that we want to participate in building.

What if we were to accept that the goal of theory is not to extend knowledge by confirming what we already know, that the world is a place of domination and oppression? What if we asked theory instead to help us see openings, to provide a space of freedom and possibility?

People sitting in the grass, listening to Gianni speak about the commons.

Handwritten notes on a big sheet of paper on the grass.
▲ Photos by Flora Mammana

We discussed the text together, asking ourselves:

  • How are we making ourselves open to the possibility of new economic becomings?
  • How do our practices already contribute to the exciting proliferation of economic experiments occurring worldwide in the current moment?
  • How can we study our strategies of survival, support each other’s efforts and help each other change what we wish to change?

I found the discussion and the overall framing incredibly generative. Rather than seeing ourselves as fighting against some all-encompassing, all-powerful system, it’s about shifting focus to seeing all the diverse possibilities that already exist and that could exist in the near future. Our discussion was focused in on the tangible and the concrete: what we’re already doing, what resources we already have, useful tools and techniques to continue and deepen this work. There is something so optimistic and playful about this approach.

Our interest in building new worlds involves making credible those diverse practices that satisfy needs, regulate consumption, generate surplus, and maintain and expand the commons, so that community economies in which interdependence between people and environments is ethically negotiated can be recognized now and constructed in the future.

We spoke to Katherine Gibson via Zoom one morning. One question that someone asked her was around critique and resistance — how do you keep proliferating possibilities when the whole system is working against you? She suggested that we don’t need to make things harder for ourselves by imagining big bad capitalism always waiting around the corner to gobble up our attempts. It’s easy to be angry at what’s there, it’s much harder to imagine and create desire for the not-quite-yet. You have to imagine that it is possible to create new worlds, working with fragments and wreckages, balancing fighting with building.

Feral Clinics

We did two mornings of Feral Clinics, a practice adapted from Kate Rich’s Feral MBA and previous iterations of this retreat. Each collective or practitioner took turns hosting a session, arriving with one crucial question that they’re currently facing in their practice. The rest of the group took turns either asking questions or holding space, helping the host to work through their own problems through active listening and thoughtful questions. Rather than asking questions out of your own curiosity, we were encouraged to ask questions based on what the person needed to hear, to help them draw their own conclusions.

In the first round, we helped the host fine-tune their question to the group. In the second round, we helped them proliferate possibilities. In the final round, we helped them identify the next, most elegant steps — a term that adrienne maree brown uses to refer to small, achievable and exciting steps forward, so easy to make that they feel like dancing.

Thinking about…

Focus on critical connections more than critical mass—build the resilience by building the relationships.
— adrienne maree brown

The week opened up a lot of questions for me. I found it challenging at times because I started to doubt my own practice, particularly in relation to digital technology. At Common Knowledge, we focus on understanding patterns shared by a broad range of political organisations and using the affordances of technology to help scale up their activities. It felt a long way from the practices of other people there, which was much more place-based, focused on working with their own local community.

I was lucky to have a two-hour mentoring session with Ethan Miller remotely from his housing co-op in Wabanaki Territory / Maine. I feel so grateful for the facilitators for setting this up because there were so many overlaps between the questions I had for my own practice and the work that he’s been doing for decades. We spoke about the challenges of being part of cooperatives and other non-hierarchical organisation models, how they set up their Community Land Trust, feminist science fiction, building capacity and desire within communities, being rooted in a particular place, commoning infrastructure… lots for me to think about!

I found it really heartening that quite a few of the other people there were also puzzled about where to live and how to balance the desire/need to travel with the need to belong to one community. I find it really difficult, as an immigrant from Australia who has lived for the last 12 years in The Netherlands, the UK and now Portugal, to understand where I belong. I also can’t imagine a life where I stay in one place and never travel — I would lose connection with so many of my friends and family, to familiar landscapes and to my past. At the same time, I feel a real need to slow down and feel rooted in one place.

Some of the questions I want to explore further are:

  • How can we work on a local community level and respond to all the idiosyncrasies of a specific place, but also still make sure we’re connecting with other initiatives, learning from each other, sharing resources and acting in ways that will have an impact on the planetary challenges we face?

  • When does it make sense to stay small, and when does it make sense to start organising on the national or international level?

  • What does place-based, small scale, low tech, convivial technology actually look like?

  • Is there a way to have community if you also need to travel? Can we develop communities across borders, with protocols and rituals than ensure a fair exchange between rooted and transient types? Can we develop new models of kinship and solidarity that enfold all these different needs and contradictions?

  • How do we create the desire for self-governance and economic experimentation in more people?

Clouds hanging low over the mountain.

PS — How & I chatted to Vida from Robida Collective about the retreat when we visited Topolò last week — listen here.

 — Hearts, minds, rhizomes & other worlds

Mobilising Hearts and Minds

I’m just about to start the Mobilising Hearts and Minds course initiated by Max Haiven and Sarah Stein Lubrano. We’ll be exploring the question “How can we change people’s minds and create the conditions where they not only support but join the movements for radical change we desperately need?”

I’ve been following Max’s work for a while and am in the middle of reading The Radical Imagination, so looking forward to a few months of guided study and reflection and conversation. I’m curious about how to learn from psychology / sociology / philosophy / critical theory and apply it to my design practice, given that a big chunk of my work is about motivating people to take political action and join movements.

Centre for Other Worlds

I’m really happy to share that I joined the Centre for Other Worlds, a research centre for art and design initiated by Lusófona University in Lisbon. It’s a distributed network of designers and researchers, all of whom I deeply admire. They also publish a journal edited by Silvio Lorusso.

We value design cultures, but we approach them without devotion. Instead of celebrating the power of design, we focus on the power structures that, willingly or not, design reproduces. For us, more than a solution, design itself is a problem and a challenge.

Rizoma Cooperativa

I’ve also joined a local cooperative, Rizoma. It’s similar to Minga, which I wrote about previously, in that it’s a multi-sector cooperative with five integrated strands: consumers, services, culture, agriculture and housing. It’s based in Arroios with a grocery store, cafe and terrace at ground level, a co-working space upstairs and a cultural space downstairs. They also have two fledgling sector groups focused on habitation (campaigning against the housing crisis and setting up cooperative housing) and agriculture.

 — Transformative Work as Livelihood

In December I went to the Free University of Bozen-Bolzano to teach a seminar on Transformative Work as Livelihood for the Eco-Social Design masters students. Over three days, we explored potential pathways available to socially and politically engaged designers, how to balance financial stability with meaningful work, and feminist strategies that ensure that transformative practices remain open to many and viable in the long-term.

Cover slide from my presentation which reads "Transformative Work as Livelihood".

Rather than focusing on strategies for individual success, we discussed and imagined new models for working together based on solidarity and care. To do this, we gathered a wide range of practices and tools that challenge the dominant narratives of design and work, exploring the multitude of alternative social and economic approaches that already exist in the here and now.

The seminar cycled between individual and collective exercises: brainstorming, reading, self-reflection and building a toolkit. My goal was to make the seminar really practical, full of useful tools that they could easily apply in their lives, and signposting them towards a broad range of further resources and readings that I’ve found useful in my practice. I wanted to be both critical of our current capitalist reality while also pointing to hopeful possibilities and new pathways. I’ve collected the slides and all the resources into this Arena channel.

I learned so much throughout this process. Below is an overview of what we did, my reflections on how it went and the changes I’d like to make if/when I run this seminar again. I’m documenting this (in probably too much depth) for my own benefit, but if it’s useful for others to read then that’s great too!

Students in the classroom.

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