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Gemma Copeland

Tag “politics”

 — No!

History is full of people who just didn’t. They said no thank you, turned away, ran away to the desert, stood on the streets in rags, lived in barrels, burned down their own houses, walked barefoot through town, killed their rapists, pushed away dinner, meditated into the light. Even babies refuse, and the elderly, too. All types of animals refuse: at the zoo they gaze dead-eyed through plexiglass, fling feces at the human faces, stop having babies. Classes refuse. The poor throw their lives onto barricades. Workers slow the line. Enslaved people have always refused, poisoning the feasts, aborting the embryos. And the diligent, flamboyant jaywalkers assert themselves against traffic as the first and foremost visible, daily lesson in just not.
No by Anne Boyer

Strike!

It’s a hot strike summer in the UK. Last week’s edition of The Week in Work was the longest ever. Transport workers, postal workers, barristers, lawyers, gravediggers, journalists – all on strike. Withdrawing our labour is the most powerful way for workers to say NO to exploitation.

Don’t!

Meanwhile, the energy crisis keeps getting worse. Now they’re predicting that energy bills will pass £5000 in January, while energy companies are reporting record profits. Two movements based on mass refusal have emerged in response – Don’t Pay and Enough is Enough.

The theory of change for Don’t Pay takes its inspiration from the Poll Tax protests in early 1990. They’re aiming to get a million people to pledge that they won’t pay their energy bills on 1 October, then use this bargaining power to get the government to intervene and reduce the bills to an affordable level.

Enough is Enough is led by MPs like Zarah Sultana and trade unionists like Mick Lynch. They’re planning to hold rallies, support picket lines and form community groups to deal with the crisis.

A pamplet from the Poll Tax protests. The headline says PAY NO POLL TAX.

No!

No, the 2012 film by Pablo Larrain, is based on the story of the plebescite in Chile that ended 15 years of Pinochet’s authoritarian rule. In it, an advertising professional and many other creatives support the campaign by creating joyful propaganda focused on how liberating and positive it would be to vote NO.

Poster from the film. It says NO in huge letters, with a rainbox behind.

Smash!

The Luddites were early nineteenth-century weavers who smashed the machines that were ruining their working conditions. Luddism is not about being scared of new technology (in the sense that the term is used today), it’s about being critical of any progress that makes life worse for people.

Though the Luddites are often only glibly referenced in modern debates, the truth is that they were directly concerned with conditions of labour, rather than mindless machine-breaking or some reactionary desire to turn back time. They sought to redefine their relationship with technology in a way that resisted dehumanisation.
— Lizzie O’Shea, Future Histories

A black and white print of two Luddites smashing machines.

Degrow!

Luddism might also link with the politics of degrowth, a movement that originated in the Global South and shares with Luddism an acknowledgement that liberation is not tied up with the endless accumulation of capital, and further, that well-being cannot be reduced to economic statistics.
— Gavin Mueller, Decelerate Now!

In Degrowth: No, let’s not call it something else, the authors argue again a common criticism of degrowth: that it’s too negative. That’s the point! Unlike net zero or green capitalism, degrowth doesn’t pretend that we can continue our current way of life with a few added solar panels.

It’s not going to be easy, but we must rapidly downscale our consumption in order to wrench ourselves away from our current trajectory. The potential, however, is that in leaping from this runaway train of constant growth and exploitation, we land somewhere much more abundant.

As adrienne maree brown says in Pleasure Activism:

Your no makes way for your yes.

 — Post-branding

Very excited to read What is post-branding? How to Counter Fundamentalist Marketplace Semiotics, a book by Jason Grant & Oliver Vodeb published by Set Margins (which seems to be publishing all the good design books these days).

Post-Branding empowers better design of public communication for civic and activist groups by replacing corporate branding’s predatory principles with a new set of strategies embedded in a new culture of craft. A new way of being and knowing, for a new way of relating with the world.

Spread from What is Post-Branding. Black and white typography and line diagrams are layered on top of one another.

Jason is runs the Brisbane-based studio Inkahoots. For the last 30 years or so they’ve worked in direct collaboration with social movements, transforming from a community-run screenprinting workshop into a non-hierarchical design studio focused on creative political expression.

Jason was one of my tutors at the Queensland College of Art. At the time I was in my final year at uni, about to graduate into a recession, and seriously questioning my choice to become a designer and design’s complicity in consumerism. Learning from him and about his practice had a huge influence on me. It prompted me to do a masters of Design Futures with Tony Fry and to try to find ways to be a designer outside of / against capitalism.

On a related note, I’ve been thinking about writing a series on design and design-adjacent practices that are modelling new ways of working. My shortlist so far is:

 — Transformative Work as Livelihood

In December I went to the Free University of Bozen-Bolzano to teach a seminar on Transformative Work as Livelihood for the Eco-Social Design masters students. Over three days, we explored potential pathways available to socially and politically engaged designers, how to balance financial stability with meaningful work, and feminist strategies that ensure that transformative practices remain open to many and viable in the long-term.

Cover slide from my presentation which reads "Transformative Work as Livelihood".

Rather than focusing on strategies for individual success, we discussed and imagined new models for working together based on solidarity and care. To do this, we gathered a wide range of practices and tools that challenge the dominant narratives of design and work, exploring the multitude of alternative social and economic approaches that already exist in the here and now.

The seminar cycled between individual and collective exercises: brainstorming, reading, self-reflection and building a toolkit. My goal was to make the seminar really practical, full of useful tools that they could easily apply in their lives, and signposting them towards a broad range of further resources and readings that I’ve found useful in my practice. I wanted to be both critical of our current capitalist reality while also pointing to hopeful possibilities and new pathways. I’ve collected the slides and all the resources into this Arena channel.

I learned so much throughout this process. Below is an overview of what we did, my reflections on how it went and the changes I’d like to make if/when I run this seminar again. I’m documenting this (in probably too much depth) for my own benefit, but if it’s useful for others to read then that’s great too!

Students in the classroom.

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